Thomas Friedm The World Is Flat - 1021 Words

Thomas Friedman – The World is Flat Introduction â€Å"Tom, the playing field is being levelled, and you Americans are not ready for it† These words by Nandan Nilekani, the former CEO of Infosys proved to be the basis of the book â€Å"The World is Flat† by Thomas Friedman. The video starts with Thomas Friedman, a veteran award winning American journalist, speaking of his visit to Bangalore in India to work on a documentary based on outsourcing, and how his meeting with the then CEO of Infosys influenced him in writing his book where he analyzes globalization and lists out the various factors that led to a â€Å"flat† world. Mr. Friedman then continues and briefly summarizes the first three chapters of his book and how he derived them. The World is Flat†¦show more content†¦This era witnessed individuals/small groups going global irrespective of the color or race. As a result of this, the size further shrunk from small to tiny and almost flattened the world. The second chapter of the book is about the 10 â€Å"Flatteners† i.e. the 10 forces, events or trends that triggered this change. Flattener #1- 11/9/89 or The collapse of the Berlin Wall: Mr. Friedman argues that the fall of the Berlin Wall was really the decline of communism and in turn the rise of capitalism. With the advent of the Windows powered computers, people from different parts of the world could connect with each other which made it possible to see the world as a â€Å"single flat plate.† Flatter #2: 98/9/95 Netscape: Friedman believes that this was the essence of people to people connectivity and hence a huge flattener. He says that Netscape going public played a key role in commercializing internet and making it accessible to everyone across the globe. The other flatteners mentioned are Work flow software, Uploading, Outsourcing, Offshoring, Supply-chaining, Insourcing, Informing and Steroids. He illustrates these concepts with examples and provides a strong explanation to support his argument. In my opinion, his discussion of the UPS, or in his words â€Å"the guys in funny brown shorts†, is very strong. He then moves on to the third chapter of the book, titled â€Å"The Triple Convergence†, which talks about the way in which all the ten flatteners

Artemisia Gentileschi - 1979 Words

Introduction Two years ago I went to an exhibition in Milan titled: â€Å"Artemisia: storia di una passione† (â€Å"Artemisia: history of a passion†). The exhibition was sponsored by the Assessorato alla Cultura of the Comune of Milano and curated by Roberto Contini and Francesco Solinas, with the scenographic and theatrical work of Emma Dante. Artemisia Gentileschi (Rome 1593 - Naples 1652/53) was a Roman painter, daughter of the painter Orazio Gentileschi and Prudenza Montone (who died when Artemisia was twelve). First of six children (all males), at a very early age was initiated to painting by her father, a follower of Caravaggio. In 1612 began the rape process, marked Artemisia’s entire life. She was fifteen years old and her rapist,†¦show more content†¦After the rape and its process, that caused a big stir at the time, Artemisia - probably trying to make the situation less heavy - married the Florentine Pierantonio Stiattesi and moved to Florence. She travelled a lot between Rome and Florence, creating a series of works - like Mary Magdalene and Judith and Holofernes by Pitti Palace – in which the influence of her father is evident. In 1621 she left Florence with her father to go Genoa. The following year she returned to Rome and remained there for three years. In 1627 she moved to Naples, where her works were strongly appreciated. Also, Artemisia had the opportunity to establish fruitful cultural exchanges with local painters such as Bernardo Cavallino, Massimo Stanzione and Francesco Guarino. The influence of the naturalistic current, in vogue at the time in Naples, becomes overwhel mingly present in the works of the period (Judith and her maid, Bathsheba Bathing, Birth of John the Baptist and Stories of San Gennaro). Between 1639 and 1641 she went to England to assist the elderly and ill father until his latters death, working on several occasions for the court and the aristocracy. Talking about the Roman artistic environment of the early seventeenth century we can not forget to mention the conservative atmosphere created after the Council of Trent (1545-1563 ). The articles relating to the discipline in the field of visual arts were focused on the moral andShow MoreRelatedArtemisia Gentileschi2144 Words   |  9 PagesArtemisia Gentileschi the Renaissance Feminist Artist Manuel Hernandez Devry University Abstract Why exactly is Artemisia Gentileschi considered an early feminist? Doing a brief search and looking into her artwork, even for a brief amount of time and you quickly see why she was considered so. Her gender as well as the things she went through and experienced in her life heavily influenced Artemisia Gentileschi’s artwork. Some of the more famous and controversial paintings focus on females asRead MoreRenaissance And Artemisia Gentileschi ( Baroque )1978 Words   |  8 PagesLane---Sofonisba Anguissola (Renaissance) and Artemisia Gentileschi(Baroque) The renaissance began in Italy from the 14th to the 16th century, and was followed by the baroque period which roughly was between 16th to 17th century, each revolutionized the period prior. This is perfectly represented by two very different and yet very similar artists: Sofonisba Anguissola and Artemisia Gentileschi. Though one more so paved-the-way for the other, there connection appears to have nearly materialized outRead MoreThe Life of Artemisia Gentileschi1131 Words   |  4 PagesLife of Artemisia Gentileschi Italian Baroque painter, Artemisia Gentileschi was born in Rome on July 8th, 1593. Her father Orazio Gentileschi, who was a painter himself, introduced Artemisia to the art of painting by giving her lessons in his studio. At an early age, Artemisia displayed her interest in art and it wasn’t long until her father noticed potential in his daughter enough that she would be able to make a name for herself in the male-dominated career. Artemisia had the desire to followRead MoreArtemisia Gentileschi Essay1792 Words   |  8 PagesArtemisia Gentileschi (1593-1653) Considered one of the most important artists of the Baroque movement in Early Modern Europe, Artemisia Gentileschi, had to prove herself and break down the boundaries for a woman in a male dominated field. Artemisia was born in Rome on July 8, 1953 to Orazio and Prudentia Monotone Gentileschi, who died when the artist was only twelve years of age. Her upbringing was left to her father, who was also a well-known painter. He trained her since she was not permittedRead MoreArtemisia Gentileschi, Venus and Cupid956 Words   |  4 PagesMariam Ahmad Art History 102 April 28, 2011 Artemisia Gentileschi, Venus and Cupid, ca. 1625-30. Oil on canvas, 38 x 56 5/6 inches. Virginia Museum of Fine Arts, Richmond, VA. Artemisia Gentileschi’s Venus and Cupid is a painting of an angel caressing a woman resting on the bed. In actuality, the painting is about Venus, the Goddess of Love, who is asleep in a very luxurious and classical environment. While she is asleep, Cupid diligently wields a peacock-feathered fan to keep away pestsRead MoreThe Life of Artemisia Gentileschi, Baroque Painter Essay528 Words   |  3 PagesThe Life of Artemisia Gentileschip Artemisia Gentileschi is believed to have been born around 1593 and died around 1652. nbsp;Both dates are disputed to the current day. nbsp;She was one of five children and was born into the life of an artist. nbsp;Her father, who was an artist as well, loved her greatly. nbsp;Her mother died when she was twelve. nbsp;Artemisia was always a skilled painter, but her father wanted even more for her daughter. nbsp;While her works were already amazing for herRead MoreThe Renaissance Period And Artemisia Gentileschi Of The Baroque Period2173 Words   |  9 Pagesmale artists, female artists did, in fact, make significant contributions to their respective art movements. This paper will discuss and compare the lives and works of two Italian painters: Sofonisba Anguissola of the Renaissance period and Artemisia Gentileschi of the Baroque period. Sofonisba Anguissola Sofonisba Anguissola was born between 1532 and 1535 to Bianca Ponzona and a Cremonese nobleman name Almicare Anguissola, and she was the oldest of six daughters and one son. In the past, women wereRead MoreThe Grand Canyon, A Landscape Made From Mixed Media1291 Words   |  6 Pageswalls they have contacted regarding the media they have used and the art they created. Rose Eager was an artist who created works that were made of multiple media on a textured canvas. Our textbook explains how some female artists such as Artemisia Gentileschi, has their work ignored because of their gender. This was a seventeenth century artist, Eager, however was born in 1933. Eager began getting into art after her nursing career, and she excelled in art programs she was involved in. Feminism criticismsRead MorePower And Power In Judith Slaying Holofernes By Artemisia Gentileschi1154 Words   |  5 Pagesuncommon themes in art, however, few paintings depict bloodshed and power with such resounding naturalism as Artemisia Gentileschis work titled Judith Slaying Holofernes. The work is an oil on canvas completed in the Baroque era sometime between 1614 to 1620, and depicts Judith and her maidservant holding down the struggling Holofernes as Judith pulls a sword through his neck. Gentileschi utilizes a combination of chiaroscuro and diagonal lines to not only create the lifelikeness and drama of theRead MoreEssay Judith and Maidservant with the Head of Holofernes1057 Words   |  5 PagesI had never heard of the artist Artemisia Gentileschi before this introductory Art course. Of all the paintings and sculptures found within the book, it was her work that s tood out and spoke to me. Judith and Maidservant with the head of Holofernes is a particularly rich oil painting by the Italian Gentileschi, painted circa 1625 Europe. Her large canvas measures 72 and 1/2 inches by 55 and 3/4 inches and began as a biblical story telling inspiration come to life within the oil. Located at the

Scavenger Hunt Free Essays

Name: _______________________________Due Date: ______________________ Student Handbook/ GMC Scavenger Hunt (5 points each) Attend the PER 101 Meet Greet to find the answers for many of these questions and to get item 1 on your Passport stamped. You may also use the Student Handbook and College Catalog (found at www. GMCOnline. We will write a custom essay sample on Scavenger Hunt or any similar topic only for you Order Now edu ) to help you, or you might just look around and talk to people on campus to get some of the answers. 1. I attended the PER 101 Meet Greet and got a stamp on my Passport for a SGA Activity. 2. How does the Student Handbook define plagiarism? 3. What is Drop / Add? What is the charge for Drop/Add? What is the charge for late registration? 4. What do the grades W and WF mean? 5. How does withdrawing from a class affect Student Academic Progress (SAP)? 6. What is the minimum cumulative GPA for any student to be an active member in or run for office in a club? 7. What does SGA stand for? What does it do? 8. What is Phi Theta Kappa? 9. Where is the main campus of GMC located? Who is the President of GMC? 10. Give three examples of unacceptable clothing and / or accessories as defined by the Student Dress Code. 11. State the GMC Honor Code? 12. Give your interpretation of the GMC Honor Code. 13. Give an example of an Honor Code violation. 14. According to the Student Handbook, a victim of a sexual assault should do what two things? 15. List three Campus Safety Tips taken from the Student Handbook. 16. List a local Financial Aid Representative? 17. List the three Deans or Administrators on this campus. 18. Name two services provided in the E-Library. 19. Where is the Tutoring Lab located? List two tutors’ names. 20. The GMC Augusta campus has several study areas. List at least three study areas that students can use. How to cite Scavenger Hunt, Papers

John Essay Example For Students

John Essay DrydenJohn Dryden was Englands most outstanding and controversial writer for thelater part of the seventeenth century, dominating the literary world as askilled and versatile dramatist, a pioneer of literary criticism, and arespected writer of the Restoration period. With Drydens great literary andcritical influence on the English society during the Restoration period he hasmade a name for himself, which will be studied and honored for years to come. John Dryden was born in Northamptonshire, in 1631. His parents were ErasmusDryden and Mary Pickery. They were both from wealthy and respected families inNorthamptonshire. The Drydens were known for wisdom and great tradition all overEngland and were well-equipped with large estates and vast lands (Ward 5). Drydens father, Erasmus, was a justice of the peace during the usurpation, andwas the father of fourteen children; four sons, and ten daughters. The sons wereJohn, Erasmus, Henry, and James; the daughters were Agness, Rose, Lucy, Mary,Martha, Elizabeth, Hester, Hannah, Abigail, and France (Kinsley 34). Dryden wasalso a religious man. He had as much faith in the Lord as he did in his pen. Hebelonged to the Church of England all his life until converting to Catholicismdue to the change of the throne. He was baptized at All Saints Church inAldwinule, Northamptonshire ten days after his birth (Hopkins 75). Dryden,growing into a young man, began his education in his hometown. There he took thebasic classes. He furthered his education at Westminister School in London. Here, he attended school for about twelve hours a day, beginning and ending atsix. At Westminister he studied history, geography, and study of the Scripture,plus all the basics. After Westminister he Cunningham 2 attended CambridgeUniversity (Hopkins 14). While attending Cambridge University, he excelled tothe top of his class and was a standout student. John Dryden was the greatestand most represented English man of letters of the last quarter of theseventeenth century. From the death of Milton in 1674 to his own in 1700, noother writer can compare with him in versatility and power (Sherwood 39). He wasin fact a versatile writer, with his literary works consisted of tragedy,comedy, heroic play, opera, poetry, and satire. Although he did write most ofhis important original poems to serve some passing political purpose, he madethem immortal by his literary genius (Miner 3). John Dryden was the type of manwho was always busy with some great project. He would never put full time andconc entration into his work. He would quickly finish a project, careless ofperfection, and hurry off to begin another, which was not a tempting deal oneither the authors side nor the readers side because Dryden lived in a timewhere there were few well-printed works (Hopkins 1). So much of his workconsisted of numerous errors, misprints, and lost pages. Several critics haveattempted to revise and correct his work but usually for the worse ( Harth 3). Despite his popularity during the Restoration and even today, little is knownabout John Dryden except what is in his works. Because he wrote from thebeginning through the end of the Restoration period, many literary scholarsconsider the end of the Restoration period to have occurred with Drydens deathin 1700 (Miner 2). Surviving Dryden was his wife Lady Elizabeth and there werethree sons, to whom he had always been a loving and careful father. John, hisoldest son, followed his father in death only three years later in April of1700. His wife, the Widow of a poet, died shortly after his death inthe summer of 1714 at the age of 78 (Bredvold 314). Dryden certainly attainedhis goal of popularity especially after his death. He became this Cunningham 3through his achievements in verse translations, the first English authorto depend for a livelihood directly on the reading public and opening the futureof profitable careers for great novelists during the next two centuries(Frost 17). The Rest oration period was a time of great literature andoutstanding writers, but, with all the talent in this century, there were alsomany problems. The Restoration was an angry time in literary history. Writersthrew harsh blows at one another, not with fists but with paper and ink. It wasan age of plots, oaths, vows and tests: they were woven into the fabric ofeveryday life, and hardly a person in England escaped being touched bythem (Hammond 131). During this time he wrote about what was going on inlife activities quite often in his work. At this time there was a majorcontroversy over the conversion from Protestantism to Roman Catholicism. Drydens church was in a strange and uncomfortable position. Since the time ofthe Restoration it had been an underground organization because it was regardedas the enemy of the English monarchy. Some of the members have been accused, andothers falsely accused, of setting plots against the crown (Hopkins 85). In1663, Dryden, under the cloud of some personal disgrace, married SirRobert Howards sister, Lady Elizabeth. The marriage provided no financialadvantages or much compatibility for the couple, but Dryden did gain some socialstatus because of her nobility. Because of his social success, Dryden was made amember of the Royal Society that same year. Since he was a non-participatingmember and did not pay his dues, his membership was later revoked. In 1664, hewrote a poem honoring his brother-in-law, Sir Robert Howard, with whom Drydenremained involved personally and professionally for some time. In 1668, he wasCunningham 4 named Poet Laureate and was offered a share in the Theater Royal sprofits in exchange for his plays. This is where he earned a large portion ofhis income, and ensured his financial stability for the next several years. Freud EssayShadwells and Drydens literary quarrel developed by the means of criticalcomments in prologues, epilogues, prefaces, and dedications written between 1668and 1678. Drydens Mac Flecknoe was a major issue in the disputebetween Dryden and Shadwell (Dryden 4). In Mac Flecknoe, Shadwellsmemory is kept alive, but has also been branded forever as horrible writer and adisgrace to the history of English writers. Mac Flecknoe is Drydensmost delightful poem. It reveals Drydens great writing talents as poet andsatirist. As he accuses Shadwell of borrowing from other authors. Healso indicted Shadwell of consistently stealing, but the chargeswere also greatly exaggerated. However, Dryden admitted that he was guilty ofborrowing from other authors, but he also mentioned that Charles IIsaid that he wished those incriminated for stealing would steal plays likeDrydens (Dryden 18). At some point Shadwell had got on good terms with Dryden,good enough at least for Dryden to provide the prologu e to one of Shadwellsplays. It might have been the prologue the others, but still it served as aprologue to one of Shadwells. They had to have developed some sort offriendship or came to know each other. Then something happened and the time forreconciliation had passed. In the same year in which he wrote that prologue forShadwell he also wrote Mac Flecknoe to put an Cunningham 8 end tothe feuding, and Shadwell became the unforgiven butt of his ridicule(McHenry 47). Dryden was an exceptional author that just did not make as big asothers. His literary reputation suffers greatly from the simple fact that notmany know of him. He is the man who wrote Absalom and Architophel,Mac Flecknoe, and who precedes Pope. He wrote not only greatsatirical, but great love poems, great political poems, and great religiouspoems. Beyond those poems he wrote many great passages of poetry. He wrote anastounding amount of good poetry, probably more than any other poet in thelanguage except Shakespeare and M ilton (Hammond 67). The English author JohnDryden called himself Neander, the new man, in his Essay of DramaticPoesy, and implied that he was a spokesman for the concerns of his generationand the embodiment of its tastes. He achieved a prominence that supported hisclaim. Dryden excelled in comedy, heroic tragedy, verse satire, translation, andliterary criticism; genres that his contemporaries and later readers havedefined as representative of the Restoration period. John Drydens lastinglegacy will be defined by his unequaled, excellent criticisms of literature andhis outstanding poetry. He developed the model for modern English prose styleand set the tone for 18th century English poetry. His memorable works helpedinfluence much of the writings that come from England to this day. Translationsare another major reason why people will remember Dryden. He took authors fromprevious eras works and interpreted them into something superior and moved themto a greatness previously believed una ttainable. His considerableaccomplishments assured Drydens place in literary history and, through theirinfluence on such writers as Alexander Pope, determined the course of literaryhistory for the next generation. BibliographyBredvold, Louis I. The Intellectual Milieu of John Dryden. USA: University ofMichigan Press, 1956. Dryden, John. All For Love. USA: Chandler Publications,1962. . Annus Notabilis. Los Angeles: Castle Press, 1981. Frost, William. John Dryden. New York: AMS Press, 1988. Hammond, Paul. John Dryden. New York:St. Martins Press, 1991. Harth, Phillip, Alan Fisher, and Ralph Cohen. NewHomage to John Dryden. Los Angeles: University of California, 1983. Hopkins,David, and Tom Mason. The Beauties of Dryden. Great Britain: BristolPublications, 1982. McHenry, Robert W. Jr. Absalom and Achitophel. Hamden: TheShoe String Press, Inc. , 1986. Miner, Earl. Writers and their Background. Ohio:Ohio University Press, 1972. Osborn, James. Facts and Problems. Gainesville:University of Florida Press, 1965. Salvaggio, Ruth. Drydens Dualities. Victoria: University of Victoria, 1983. Sergeaunt, John. The Poems of JohnDryden. London: Oxford University Press, 1929. Sherwood, Margaret. DrydensDramatic Theory and Practice. New Haven: Yale University Press, 1914. Verrall,A.W. Lectures on Dryden. New York: Russell and Russell, Inc. 1963. Biographies